Monty Python's Fliegender Zirkus


The Lost Episode

The First German episode's script is below. It is exclusive to this site.

(Scene: A female presenter in front of mountains.)
Presenter: Our next programme was written and performed by 6 young Englishmen. The title is "Monty Python's Flying Circus." The show first appeared on English television 2 years ago. Since then, 25 shows have been made for the BBC in London. However, tonight's show has been specially written, filmed and produced for German and Austrian television.(2 scuba divers come out of a lake in the background.) It's the first time an English comedy team has produced a show entirely for German television.(The divers come closer to the presenter.) The show lasts for 45 minutes, and was filmed in colour at Bavaria Film Studios in Munich. (The scuba divers take her by the arms and throw her in the lake, while she keeps talking.) The young men who write the show all live in London. Four of them are married, and two of them have children. Their average age is 27. Two of them are over six foot. [splash]
(A Gilliam animation sees two animated Pepperpots holding a picture of the lake. A man comes into the room.)
The Man: And now for something completely different.
(He takes a cymbal, and smashes the two Pepperpots' heads with it.)
(Animated titles follow.) (We see a runner played by Terry Jones.)
Caption on Screen: Live from Athens. (The runner holds up a torch, and a car pulls in and runs him over. Cut to a painting of a man with long hair, and a mustache.)
Announcer: Albecht Durer, 1471-1530, the Nuremberg painter who captivated Europe with his sharp eye, his mastery of line and texture, his car hire service. .
(Cut to a man behind a desk, played by John Cleese.)
Man behind desk: We apologize for the inaccuracies that have crept into this portrait of Albrecht Durer. Durer NEVER operated a car hire service. Thank you.(Cut back to a drawing.)
Announcer: Durer drew his inspiration from his birthplace, Nuremberg. Portraits. Landscapes. The detail of nature. Social themes. Religious themes. But always present his fascination with the grotesque. To find out more about Durer the man as opposed to Durer the insect. . .(cut back to the man at desk.)
Man behind desk: Watch it! (Cut to more drawings.)
Announcer: to find out what went on in the mind of this great artist, we spoke to a person in Sydney (Cut to an Australian played by Michael Palin.)
Australian: I know as much about Durer as I know about a kangaroo's rectum. Well, a kangaroo's bum is a pretty tight little number, compared to other marsupials' bums. I personally prefer arse [BEEP] Bum. [BEEP] Arse BEEP] Arse [BEEP] Arse [BEEP] Bum. [BEEP]Arse [BEEP] Arse [BEEP] Bum [BEEP] Bum [BEEP] Bum [BEEP] (He slugs down some Fosters.) Arse [BEEP] Bum [BEEP] Bum. [BEEP] (We again see the man behind the desk.)
Man behind Desk: We apologize for the inapposite style of their appraisal of Durer. We'll start again with an appreciation of his life and works, sung by Anita Eckberg. (Cut to a colorful stage in which a cutout figure Sings Albrecht Durer, to the tune of Robin Hood/ Dennis Moore.)
Man behind cutout figure: Albrecht Durer, Albrecht Durer,
Riding through the glen
Albrecht Durer, Albrecht Durer,
With his band of men Feared by the bad
Loved by The good
Albrecht Durer, Albrecht Durer, Albrecht Durer (Repeated)
(Again we see the man behind the desk.)
Man Behind Desk: We apologize for the song about Durer. It's not being sung by Anita Eckberg, but by a man crouching behind Miss Eckberg. (cut back to the stage. Two men take away the cardboard cutout, to reveal a man, played by Terry Jones, in a suit, still singing. He walks off the stage still singing. Cut back to the painting.)
Announcer: The appreciation compiled to celebrate the anniversary of Durer's birth has been abandoned. Instead we bring you Part 4 of THE MERCHANT OF VENICE.
Caption on screen: BY WILLIAM SHAKESPEARE.
Starring: THE BAD ISCHL DAIRY HERD.(We see a field of cows. The cows moo the words on the screen.)
Cow: What? Is Antonio here?
Cows: At your service, your Grace.
Cow: Call Shylock the Jew to court.
Cows: He comes, my lord.
Cow: I crave the law! The penalty and forfeit of my bond.
(Cut to a stock film of Woman's Institute Applause. We see the runner from the beginning, covered in bandages, still holding the flame, running past workers, and burning all of them. The runner, on crutches, misses a lady holding a umbrella, so he goes back, and sets it on fire. Cut to a Gilliam cartoon, with a hot air balloon that says "AND NOW . . " The balloon explodes, and a naked cartoon lady holds up a sign that says ". . . A Word From A Frenchman." We see the Frenchman, played by Terry Jones, speak in English.)
Frenchman: I've been a Frenchman all my life, and have only once been to the lavatory.
(More Woman's Institute Applause. Cut to another Frenchman.)
Another Frenchman (Michael Palin):Yes, I agree with this. I have papers here that show that he is a Frenchman, and this certificate here which says that he has not been to the toilet (some French words I can't figure out). He has not been to the toilet for 5 years.(Cut to another Frenchman.)
3rd Frenchman (Graham Chapman): Yes. It is true. He has not been to the toilet in 5 years. (He holds up 5 fingers. Cut to a scholar; played by John Cleese He says some French I can't understand. Cut to FDR, saying even more French which slips right by me, voiced by Terry Jones. Cut to a black and white footage of a man with an eyepatch, voiced by Michael Palin.)
Man: True, mothers, he has not been for 5 years already. (Cut to the Chancellor of West Germany, voiced by Terry Gilliam.)
COWG: As Chancellor of West Germany, I corroborate the statement that it is five years since he last went to the toilet. (Cut to Richard Nixon, voiced by Mike Palm.)
Nixon: We the American people believe sincerely that he has not been to the men's room for 5 years. (cut to the Queen.)
Queen: In the five years that I have known him, he has not once been to the toilet.
(Cut to a crowd.)
Crowd: 5 years? (Cut to the Queen in a car.)
Queen: Yes, 5 years. (Crowd groans.
Cut to a doctor.)
Caption on Screen: A FAMOUS BERLIN SCIENTIST
The Scientist (Graham Chapman):It's definitely five years since he's been to the toilet. Five blissful years (he looks like reminiscing while looking at a picture) which we spent together in idyllic happiness. (Cut to a field. You see the Scientist hold hands and skip with the Frenchman. )
The Scientist: Each day there were so many exiting things to do. But I knew it could not last. It wasn't natural for doctor and patient to find such happiness in each other. Soon I felt the pull of my own kind calling me, beckoning me to return. I knew it would hurt him. But there was no other way. I was born a doctor, and will always be a doctor. (He runs down a hill to other doctors dancing in the pasture.) Our joy was an illusion, a dream from which we had to awake. (A farmer comes in, played by Eric Idle, and puts all the doctors in a pen.)
Farmer: I've been breeding doctors for 10 years now. I've a fine herd of obstetricians and short-horn gynecologists. Although their milk yield is low they are . . . (Cut to the man behind the desk.)
Man Behind Desk: I'm glad to say we're returning to the profile of Durer which we abandoned earlier this evening. Alterations have been made, and certain people sacked. Ladies and gentlemen, we are proud to present THE LIFE AND TIMES OF ALBRECHT DURER. (Cut to the painting.)
Announcer: Albrecht Durer, 1471-1530. The painter who captivated Europe with his sharp eye, his mastery of line and texture. Durer drew his inspiration from his birthplace, Nuremberg. Portraits. (cut to a drawing of a man. His ear falls off. Cut to a ship.)
Announcer: Landscapes . . . (A cannon comes out of the ship and shoots a cannonball. Cut to a castle. The cannonball puts a hole into it.) . . .. the detail of nature. (Cut to a horse. The horse's lower half falls off. Cut to an elephant. It's lower half slips into the upper half, and it starts jumping around. Cut to a ballroom.) . . . social themes... (The elephant jumps into the ballroom and a person falls out of frame. Cut to a drawing of three naked ladies. The person falls in front of one.)
Cartoon person: Oohh! [BEEP!] (Cut to a desk, which the man no longer behind desk runs and sits at.)
Man behind desk: Sorry. I've just heard what's happened. All I can say is I'm sorry. I wasn't watching this time. I was in the canteen having a bun, and somebody told me. I really do apologize. I suppose I ought to stop it, but I didn't see what happened. So I'll hope that it was a mistake made in good faith. So let's hope we can go back now to THE LIFE AND TIMES OF ALBRECHT DURER. (cut to a drawing of a mother nursing a child, surrounded by angels.)
Announcer: Religious themes. . . (the angels fall on the mother and she throws one of the baby's legs. Cut to a table with three people at it. The leg hits one of them in the head and he falls down.) [BEEP! BEEP] (Cut to the man behind the desk, looking very angry.)
Man behind desk (shouting): THAT'S IT! STOP IT! I should have stopped it earlier. Sorry, sorry. Back to the programme. (Cut back to Eric Idle's farmer.)
Farmer: . . . short-horn gynecologists. Although their milk yield is low. (Cut back to the drawing.)
Announcer: Sorry about the interruptions. (Cut back to the farmer.) Farmer:. . . doctors are much easier to muck out and they allow cows more time to spend in the hospitals. (Cut again to a cow, this time behind a truck with a red cross on it.)
Cow: A ventricular valve is diseased. We must operate immediately. (The cow comes out from the back of the ambulance, and it reveals that it is wearing a doctor's uniform.)
Cow 2: 'Tis true. Come, Antonio. They walk off. (Animated curtains close. Caption on screen says THE MERCHANT OF VENICE END OF ACT 1. Crowd claps in the background. Cut to a film of a formal audience clapping. Cut to a theater critic, played by Eric Idle in the wings.)
Theater Critic: It is always a joy to see a new interpretation of one of Shakespeare's works. But seldom do we find something so refreshingly original as this production by the Cows of Bad Ischl. The Merchant of Venice has always been a difficult play for animals. I remember three years ago some chickens from Kaiserskauten trying it and failing miserably. But these cows have avoid-ed the pitfalls that the chickens fell into. They haven t tried to dress up. They haven't tried to make it into an allegory about eggs. And they din' t run away all the time. I loved it. I can't wait to see these fine dairy cows get to grips with Wagner at Bayreuth next week. (You see a castle. Spooky music. Dracula comes up to the screen.)
Dracula: Ladies and gentlemen, we present the Doctor's Version of THE MERCHANT OF VENICE. (cut to 2 doctors one played by Graham Chapman.)
Doctor 1: Noble Antonio, how is it with you?
Doctor 2: I'm suffering from inflammation of the alimentary tract. . . (he goes on while the man behind the desk comes on screen.)
Man Behind Camera: For those who turned in hoping to see The Life And Times Of Albrecht Durer, we regret that although two attempts were made to show it, both were abandoned. No more attempts will be made. (He gets off screen.) Doctor 2: . . . perforations of the bronchial tubes could lead to pulmonary. . . (You see a Dirty Old Animated Man watching. He goes in the room. Gunshots and screams are heard. He walks out, humming. Fade out. Fade in to him going up a hill. He sees a female poring beer on a billboard. He looks around to see if anybody's looking, and no one is, so he flashes it. He sees a man on a billboard. He walks away. Next to it, he sees a female on a billboard. He flashes it several times. A Dirty old Animated Woman comes to the sign and sees the Dirty old man exposing himself. She looks to see if anybody is looking and flashes the male sign. The Man sees her and pokes his head in to see what she's flashing. A heart flies over him. Sappy music follows. He flashes again. She looks, and a heart floats over, the two hearts make one big heart and they flash away into the sunset. A caption on the screen says ENDE. An animated woman, voiced by Michael Palin, comes from the sun, and brushes away the letters.)
Woman: Get off! Get off! And you with that trick camera. Get lost! Get lost! (She goes inside.) There's a man outside with a trick camera, and he won't go away! (A man's voice is heard.)
Man: Really?
(The man comes out from the sun, and he has a gun.)
Man: Get lost! (He shoots the camera. The camera rolls around and around. It stops on a man played by Terry Jones who is hitchhiking. Several cars pass him by. An Olympic runner in bandages carrying a torch points to his back, as if to say "Hop on!" He picks up the hitchhiker, and gives him a piggyback ride. Pull in to a deep dark forest.)
Narrator: Once upon a time, there was a deep dark forest. In this forest there was a little house. (Cut to a woodcutter sawing a piece of wood with his wife.) In this house lived a humble woodcutter and his wife and their pretty daughter Little Red Riding Hood. (Cut to Little Red Riding Hood played by John Cleese, breaking wood over her knee. Cut to the middle of the deep dark forest where a "wolf" that looks more like a puppy.) In the middle of this deep dark forest lived a vicious wolf. (Jarring chord. Two hands pet the "wolf.") One day, Little Red Riding Hood went to take some things to her old Grandmother who lived deep in the forest. (You see Red's eating habits.) The vicious wolf saw Little Red Riding Hood. "She looks good to eat." (Two hands keep the "wolf" from running away.) "Where are you going, pretty one?" "Kind sir, to my Grandmother's." "Ha, ha, ha!" smirked the wicked wolf, and dashed off to Grandmother's house. (You see a house with smoke coming out of the chimney. The wolf gets led on a leash into Grandmother's house.) Knock, knock went the wicked wolf - the door opened wide. It wasn't Grandmother, it was Buzz Aldrin . . . America's Number Two Spaceman! (Buzz comes out, and a crowd claps.) For this wasn't Granny's house, but the headquarters of NASA, the American space research agency. (He puts the American flag into the ground.) The wicked wolf was shot by security guards. . . (The "wolf" is dragged inside, and gunshots are heard.). . .the American space program carried on, unmolested by wolves and other forest animals intent on damaging American prestige (The Star Spangled Banner plays.) at a time when development of inter-space communications is of vital strategic and political significance in the free world.(Zoom in on the flag. Cut to Little Red walking through the forest.) Little Red Riding Hood had her arms so full of flowers she didn't notice the approach of Heinz (Heinz is played by Terry Jones, and standing behind a tree.) the Stuttgart Rapist. Poor Heinz, with his bad eyes. Already he had assaulted seven pine trees that morning. How pleased he was to find something that moved. (You hear Little Red Riding Hood being molested by Heinz, while we see the trees. Than you pull down from the trees and see Heinz hanging from one.) Poor Heinz. But soon all the other rapists in the forest heard of his plight and came from near and far (you see many rapists come from near and far) to cut him down. (Cut to another section of the forest.) So all was quiet in the forest again. The humble woodcutter and his wife sold their story to Der Spiegel for 40,000 DM. NASA agreed to limit the use of chemical propellants in unmanned launchings from Granny's house. (Some of the cottage blows up and so does the flag. Cut to an airplane.) Little Red Riding Hood became Telefunken's sales rep to the United Arab Republic, where she lives in Cairo's El Akra district. (See Little Red Riding Hood carrying a suitcase, where she sees a Dirty Man, played by Terry Jones.)
Dirty Man: Dirty postcards?
Little Red Riding Hood: No, thank you.
DM: Dirty Socks? Dirty underpants?
LRRH: No, no. .
DM: Dirty wood engravings?
LRRH: No.
DM: Dirty engravings?
LRRH: NO.
DM: Picture of Albrcht Durer?
LRRH: What?
(DM shows Little Red Riding Hood a picture. Cut to the picture of Albrecht Durer.)
Announcer: Albrecht Durer. 1471-1530. Wadi el Misbih, Durer's birthplace. Its influence can be seen in all his works. Portraits. Landscapes. The detail of nature. All very clean, all very cheap. (Cut back to DM and LRRH.)
LRRH: No, no thank you. (You see the Olympic runner again, the hitchhiker frying eggs on his torch. The torch burns out, and the hitchhiker gives the runner the eggs. He walks off into the forest, and puts on his glasses. The runner turns out to be Heinz! He sets up a tent in frenetic, speeded-up motion. Cut to the Olympic sign. A caption on screen says "MUNICH 1972".)
Announcer: Hello sport lovers. We're here on this beautiful morning at the 27th Silly Olympiad. First, at the high point of the day, the 100 meters for men with no sense of direction. Olasen, the Silly Swedish Gold Medallist, is in the rear lane. (The starter shoots his gun, and they all race in different directions. Cut to another field.) And now the next final, the 5000 meters for the deaf. (The starter shoots his gun, and the runners all stay there. Cut to a swimming pool.)Now the 2000 meters breaststroke for non-swimmers. (The swimmers jump into the pool and don't get out.) We'll be bringing you back here when they fish out the corpses Now over to the sign of the marathon for incontinent people. There's an enormous entry this year: 44 competitors from 29 countries, all with weak bladders, ready for the world's longest race and aching to go! (The starter's pistol goes off, and the competitors all go for the toilet. Cut back to the 5000 meters for the deaf.) A second start for the deaf.(The starter yells at the runners. He fires his pistol 4 times, and none of the competitors move. The starter throws his gun to the ground. Cut to a woman jumping.) We see the German reverse tower jumpers.(We see stock film of a woman falling off a tower turned backwards. Cut to a bunch of men acting like chickens.) And here's the 3000 meters for men who think they're chickens. It's been a slow race so far. This is the third day, we expect a result in 5 weeks. One snag has been that Abe Seagl, the Canadian champion spotted some corn and they've been pecking away ever since. The British hope, Martin Anthill, started well, but has now settled on the waterjump. (Cut to a man hatching eggs. Cut back to the deaf race.) Although the starter at the 5000 meters has tried machine gun, cannon, nothing will get these men moving. Now he's going to show them. (The starter goes to the middle of the field, and holds up the sign. The deaf run over him. Cut to the marathon for incontinents.) The marathon incontinents are on the road, led by Ian McKellan. (He goes into the grass.) No, Sven Bordlander. No, Kwame N'Boko. No, Manuel Gonzales. No, Ferenc Kocsis.(The announcer goes on and on while the incontenents are still going into the grass.) We leave this event to see the finish of the 1500 meters for people and their mothers. (Cut to a filled with racers, and their mothers.) And in the last 200 meters, Lungis and his mother are at the back because she had to go shopping. Pirelli's mother took her shoes off, her feet were killing her. (A hammer lands.) The hammer that has just landed came from the Throwing the Hammer at America event. (A man throws a hammer. The hammer lands in a Western setting. A man played by Eric Idle comes out of a saloon. A voice is heard.) Announcer: Albrecht Durer, 1471-1530, the Nuremberg cowpuncher and deputy sheriff of Dodge City. [BEEP!] (Cut again to the man behind the desk.) Mar behind desk: Stop that! I've already said that there'll be no further attempts to do a LIFE AND TIMES OF ALBRECHT DURER. That's been totally abandoned. Now let's have some proper entertainment, like a panel game. (Cut to the Western background. There sits a desk with John Cleese, the host, and Mr. Schultz, played by Michael Palin.)
Host: Good evening, and welcome to Stake Your Claim. (Cut back to the man behind the desk.)
Man behind desk: No, no, no, no, no, no, no! Forget about this Western scene! (Cut back to the scene. A program manager-type comes on to the scene.)
Program Manager-Type: That sign's wrong. (Zoom into the sign. It says "SEX SHOP".) Do it in the studio.(Cut to a studio.) That's better. (Music plays.)
Host: Good evening and welcome to Stake Your Claim. (The music slows down. A stage manager comes on and takes away a wheel.)
Stage Manager: Carry on.(Tape of music rewinds.)
Host: Good evening and welcome to Stake Your Claim. First we have with us Mr. Schultz, who claims he wrote all of Shakespeare's works.
Mr. Schultz: That's correct. I wrote all his plays, and my wife and I wrote his sonnets.
Host: Mr. Schultz, these plays are known to have been performed in the early 17th century. How old are you?
Mr. Schultz: 43.
Host: Well, how could you have written plays performed over 300 years before you were born?
Mr. Schultz: That is where my claim falls down.
Host: A-ha!
Mr. Schultz: There's no way of answering that argument. I was hoping you wouldn't make that point. But you're more than a match for me.
Host: Thank you for coming along.
Mr. Schultz: My pleasure.
Host: Next we have Mr. Hase who claims to have built the Taj Mahal.
Mr. Hase (Terry Jones): Uh, no, no.
Host: Sorry?
Mr. Hase: No.
Host: I thought you claimed to. . .
Mr. Hase: Yes, I did, but I can see I won't last a minute with you.
Host: Next.
Mr. Hase: I was right!
Host: . . .we have Mrs. Mund, from Peeneberg, who claims. . What *is* your claim?
Mrs. Mund (Graham Chapman): That I can burrow through an elephant.
Host: You've changed your claim - you know we haven't got an elephant.
Mrs. Mund: Oh, haven't you? Oh, dear!
Host: You're not fooling anyone - in your letter you clearly claim you could be thrown off Schwangau Castle and be buried.
Mrs. Mund: No, you can't read my writing.
Host: It's typed!
Mrs. Mund: Says "elephant!"
Host: This is an entertainment show, and I'm not prepared to sit here bickering!! (He takes a break from screaming to put on a forced smile for the cameras. Fade out. Fade in on Schwangau Castle, with Mrs. Mund being thrown from the top. She is then buried.)
Host: A round of applause for Mrs. Mund! (Cut back to the studio, where Mr. Schultz comes back.)
Mr. Schultz: Excuse me.
Host: What?
Mr. Schultz: I'm Catherine the Great.
Host: The programme's over.
Mr. Schultz: I can kill bats with an egg whisk.
Host: Sorry.
Mr. Schultz: All right, then I claim, I only wrote Act 1 of HAMLET and not the rest.
Host: Go away.
Mr. Schultz: What?
Host: I told you to go away, you uninteresting person.
Mr. Schultz: I didn't want to be on your stupid panel game you know.
Host: Oh no?
Mr. Schultz: No. (He takes off his glasses, and his tie, and eventually his jacket.) I wanted to be a lumberjack. Yes a lumberjack, leaping from tree to tree as they float down the mighty rivers of the South Tyrol. The giant redwood, the larch, the fir, the mighty Scots pine. The smell of fresh cut timber. The crash of the mighty trees. With my best girl by my side! And we'd sing, sing, sing!
I'm a lumberjack
And I'm OK
I sleep all night and I work all day
Mounties: He's a lumberjack and he's OK
He sleeps all night and he works all day
Mr. Schultz: I cut down trees I eat my lunch
I go to the lavatory
On Wednesday I go shopping
And have buttered scones for tea
Mounties: He cuts down trees He eats his lunch
He goes to the lavatory
On Wednesdays he goes shopping
and has buttered scones for tea
He's a lumberjack
and he's OK
He sleeps all night
and he works all day




Mr. Schultz: I cut down trees I skip and jump
I like to press wild flowers
I put on women's clothing and hang around in bars
Mounties: He cuts down trees he skips and jumps
He likes to press wild flowers
He puts on women's clothing and hangs around in bars???
He's a lumberjack
and he's OK
He sleeps all night
and he works all day
Mr. Schultz: I cut down trees
I wear high heels
Suspenders and a bra
I wish I'd been a girlie
Just like my dear Papa
Mounties: He cuts down trees
He wears high heels
Suspenders and a bra???
Spoken ruggedly: That's shocking. That's rude.
Mr. Schultz: I wish I'd been a girlie
just like my dear Papa

Note: The actual German lyrics into English are not the Lumberjack Song mentioned above. Putting most lyrics into German, I came up with this. Here is the Holzfeller Song in .mov, RealPlayer, mp3, and .wav


His Girlie: Oh, Franz! I thought you were so rugged. (The Mounties throw tomatoes at him. Cut to a letter of protest.)
Voice over: Dear sir, I wish to complain in the strongest terms about the sketch about a lumberjack dressing as a lady. I have known many lumberjacks, and only 70% were transvestites. The others formed relationships with farm animals in the usual way. I also knew 2 weight lifters who dressed as kangaroos and then performed intimate acts on a trampoline. How long must society tolerate this pseudo-marsupial behavior? Yours faithfully, Col. Heinrich von Wallaby. (Mrs.)

Go on to part 2!